Screenwriters -- United States

Frank Ramsay Adams (1883-1963) was a writer for magazines, film, and television. He also wrote music. The collection contains correspondence, literary manuscripts, sheet music, and selected publications.

William David Ball (1885 - ?) was a writer of short stories and photoplays and edited a book regarding markets and methods for writers. The collection (1920-1965) contains manuscripts of short stories and articles, correspondence, and memorabilia.

Willis Todhunter Ballard (1903-1980) was a writer of the western and mystery fiction genre. The collection consists of professional correspondence from 1947 to 1972, publication records, papers of the Western Fiction Writers of America (WWA) documenting his activity in that organization, and literary manuscripts of 70 books, 17 teleplays, one screenplay, and a few magazine articles.

The papers consist of Dana Burnet's correspondence, 1926-1959, primarily with his literary agents Carl and Carol Brandt; manuscripts of short stories, plays and screenplays, most notably The Great Commandment; tearsheets; and contracts.

Calvin J. Clements (1915-1997) was a writer of television scripts, screenplays, and adventure stories. The collection includes television scripts and one screenplay.

Collection comprises papers of American screenwriter and producer Richard Collins and includes motion picture scripts, scenarios, screen plays, outlines and treatments by Collins and others; television scripts, including scripts for the Breaking point and Chrysler theatre series; and professional correspondence. Major correspondents are Marjorie Cantor, Frank Dorsey, Arnaud d'Usseau and Ned Russell.

Gerry Day was an author and screenwriter for film and television. The collection contains manuscripts of screenplays, screen stories, and television scripts for T.V. series including Wagon Train, The Virginian, The New Perry Mason, Marcus Welby, M.D, The High Chaparral, Little House on the Prairie, The Ford Television Theatre, and Whiplash.

Collection comprises papers of American author Michael Fessier and includes manuscripts of 185 short stories, seven plays, seven teleplays, nine screenplays, three novels, a few scenarios and radio scripts, and a collection of published pieces.

Paul Eliot Green (1894-1981) was a teacher and a writer of plays, screenplays, novels, short stories, essays, song lyrics and libretti, and screenplays. The collection contains screenplays and other writings relating to film.

Houston Branch (1899-1968) was a writer, editor, publicist, and organization executive. The collection contains literary manuscripts, correspondence, and records relating to Branch's work as a creative writer and in public relations.

Vance J. Hoyt (1889-1967) was a physician, naturalist, and a writer. The collection (1913-1965) contains manuscripts of radio, and motion picture scripts, and articles, correspondence, copies of published works, scrapbooks, and photographs.

Collection comprises the papers of novelist and screenwriter Ruth Prawer Jhabvala, including original screenplay drafts, notes, personal research documents, completed screenplays, writing agreements, and correspondence relating primarily to Merchant Ivory film productions from 1965 to 2009.

The collection of Rutherford Montgomery includes manuscripts (book length, short story and anthology), published works, correspondence, miscellaneous items (such as speeches, screenplays and screeplay ideas for television and movies), tearsheets, illustrations, scrapbooks, articles, other writings, third party manuscripts, photographs and several other materials that represent Montgomery's career as an author and his career at Walt Disney Studios.

Matthew "Matt" Ambrose Taylor (1897-1966) was a reporter, writer, and script writer of short fiction, plays, and detective stories, many of which were adapted for radio, TV, or movies. The collection contains published and unpublished short stories, plays, radio and television scripts, and correspondence.

Robert Vincent Wright (1919-2007) was a writer for various television programs in the 1960s and 1970s. The papers include screenplays, unpublished and published writing, biographical information, writings of family members, correspondence, and family photographs.