Dwight Bennett Newton papers

The Dwight Bennett Newton Papers contain correspondence and manuscripts from a long and successful career in formulary Western fiction writing, primarily of novels. The correspondence is divided into three subseries: general, in alphabetical order (see Index of Correspondents at end of inventory); correspondence with the August Lenniger Literary Agency, in chronological order; and with Book Creations, Inc., in chronological order.

Much of the correspondence is with fellow Western writers, comparing notes, offering tips and criticisms, and sharing anecdotes about other writers and agents they have known. Of special interest are the files of correspondence with Frank Bonham, William R. Cox, Brian Garfield, Frank Gruber, Lew P. Holmes, and T. V. Olsen. There is also an informative Newton interview, conducted, by mail, by Jean Mead of Western Writers of America, Inc.

The manuscripts are also divided into three subseries, each arranged alphabetically: book-length, short stories, and teleplays. Publication information and pseudonyms are included with each title. Newton's novel-writing technique is easily documented. The first draft is composed at the typewriter on colored paper, with each session dated at the head of the text, and word counts at the top of each page. Heavy revisions are made in pencil, then the draft goes back for retyping. This second draft goes to the agent for marketing to the publishers. Often the second draft, after a once-over by a copy editor, is the one actually used by the typesetter.

Several of Dwight Newton's novels have an Oregon setting: The Big Land, Crooked River Canyon, Hangman's Knot, Oregon Rifles, and Disaster Creek. According to the Encyclopedia of Frontier and Western Fiction, "...what makes Newton's books different, and superior is his scrupulous attention to natural terrain--his sense of real places in the West..." (253). This is especially true of the Oregon novels.

Teleplays are arranged alphabetically by title of television series and title of play. The copies are mimeographed and bound, and are dated according to the date of the current revision.