Found in 20 Collections and/or Records:
Mark Bailey is an Oregon photographer and graduate of the University of Oregon, 1979, with a BFA in photography. The collection (1974-1980) contains three photo documentaries capturing the people and places of Junction City, Oregon, “Luckey’s Club Cigar” of Eugene, Oregon, and Valsetz, Oregon.
Henry J. Biddle (1862-1928) was an engineer and an amateur botanist. The collection consists of diaries, trip logs, account books, correspondence, manuscripts, sketch and survey maps, and photograph prints and albums.
Tee A. Corinne (1943-2006) is a photographer, artist, writer, and lesbian activist. The collection includes correspondence, literary manuscripts, artwork, photographs, artifacts, and other documents that reflect Corinne's life and work.
Lee D. Drake (1882-1957) was a newspaper owner and civic promoter in Pendleton and Astoria, Oregon. The Lee D. Drake papers consists of correspondence, clippings, financial reports, business reports, ephemera, and photographs regarding Drake’s business and community involvements.
Harrison Forman (1904-1978) was an American explorer, aviator, photographer, journalist and author. Collection comprises 62 diaries kept by Forman while a world traveler and journalist, as well as photographs, journalism, interviews, writings, and books by Forman. Collection materials include accounts of the Sino-Japanese conflict, the Chinese government under Chiang Kai-shek, the Japanese bombardment of Shanghai in 1937, and the Nazi invasion of Poland in 1939.
Harriet E. Huntington (1909-1985) was a photographer and author of children's books. The collection includes manuscripts, correspondence, reviews, photographs, biographical materials and family scrapbooks that reflect Huntington's career as an author.
Grayson Layne Mathews (1948-2007) was a photographer known for his work to capture the American West. His most notable series featured rodeo images from 1971-1972, a project supported through a National Endowment for the Arts fellowship.
Thomas Leander "Lee" Moorhouse (1850-1926) was a photographer and businessman in Pendleton, Oregon. From 1888 to 1916 he produced over 9,000 images documenting urban, rural, and Native American life in the Columbia Basin and Umatilla County, Oregon. The collection consists primarily of glass-plate negatives.
Collection comprises materials created and collected by Jacqueline Moreau, northwest photographer and journalist, and consists of photographs, biographical material, correspondence, subject files, sound recordings, video recordings, published material, printing specification notes, and clippings. Much of the material in Series I: Papers relates to her photographic work.
Ruth Mountaingrove is a photographer, writer and artist who moved to Oregon in 1971, settling in communes and eventually co-founding Rootworks, a lesbian community in Southern Oregon. The collection consists of 21 VHS videotapes of Mountaingrove relating the story of her life by talking, dancing, and singing.
The James Smircich papers contains photographic prints and negatives taken by Smircich that depict notable figures of the 1960s counterculture including Janis Joplin, Jimi Hendrix, Grateful Dead, Stanley Mouse, and Ken Kesey's bus, Furthur.
William J. Smith (dates unknown) grew up in Detroit, Oregon, at the turn of the century, and went into the family timber business. The Smith & Smith Mill processed timber in the Macky Place area. The collection consists of 69 photographs documenting the mill, the original town of Detroit, and landscape, and include several shots of the transportation of a donkey engine across a river and up a steep slope in 1911.
The Stereograph collection documents a photographic phenomenon of the 19th and early 20th century which brought world landscapes and peoples to the European and American public. The collection consists of images by anonymous and identified photographers, publishers and distributors. A variety of stereograph formats are represented.
Doris Ulmann (1822-1934) was a New York photographer. The collection consists of vintage prints, proof prints bound in albums, and glass-plate negatives primarily featuring portraits of notable people, craftspeople, and farmers. The collection also includes reference prints and negatives reproduced from Ulmann's original negatives.